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Finally, modern cinema has expanded the definition of “blended” beyond remarriage to include chosen families and queer kinship. Films like Shiva Baby (2020) use the chaotic backdrop of a Jewish funeral and reception to cram exes, parents, and new partners into one claustrophobic space, exposing the absurdity of trying to perform a tidy family narrative. On the other end of the spectrum, C’mon C’mon (2021) features a non-traditional uncle-nephew bond that functions as a temporary, gentle blend—a reminder that family is often a series of provisional arrangements, not a permanent state. These films suggest that the skills required for a successful blend—empathy, patience, negotiation, and the willingness to be uncomfortable—are, in fact, the skills required for all loving relationships.

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