Zack Snyder and cinematographer Larry Fong shot Watchmen on Super 35mm film. Because Super 35 captures a natively taller image than what is shown in theaters, the open matte version uncovers vertical visual data that was previously invisible to the public. Director's Cut Narrative Superiority
While the theatrical and home video releases restricted the film to a widescreen format, the open matte version reveals the hidden vertical data captured on set. This unique formatting offers film enthusiasts a completely new way to experience the landmark graphic novel adaptation. The Evolution of Watchmen (2009) Cuts watchmen 2009 directors cut open matte 1080 exclusive